Bruce vs Frankenstein
I thought it would be appropriate to give some important news here. I want to give full credit to Aintitcoolnews.com because, to be honest, I don’t think Bruce Campbell will be emailing us. So here you go, direct from Bruce Campbell
Hello everyone. Bruce Campbell here. This urgent message is short, because my keystrokes are monitored and I fear for my life. My partner at Dark Horse comics, Mike Richardson (normally a very rational and talented man), threatened to have his foot soldiers “crush my spleen” if I did what I am about to do. But the fans deserve to know, so with great trepidation I officially announce Bruce Vs. Frankenstein, the sequel to My Name is Bruce. Principal photography begins this fall in Oregon. I’d like to live long enough to see the cameras roll, so please, for the love of God, do not tell anyone – I can’t risk this announcement getting back to Mike! Thank you.
Tags: aderosby, aintitcoolnews.com, alan derosby, Bruce, Bruce Campbell, Bruce Vs. Frankenstein, Campbell, Dark Horse, Dark Horse Comics, Derosby Brothers, Frankenstein, Mike Richardson, My Name is Bruce
Comics, Film and Television | Alan Derosby January 19, 2010
4 Comments to “Bruce vs Frankenstein”
RSS feed for comments on this post. TrackBack URI
By CWD, January 20, 2010 @ 7:10 am
I still have to see “My Name is Bruce”. I should grab that this week.
By Keith, January 22, 2010 @ 7:31 am
Yes you should. Definitely not for the family but well worth the watch. I’m looking forward to this one and hope for more.
By Alan Derosby, January 22, 2010 @ 11:54 am
You can watch My Name is Bruce for free on Netflix, if you have it.
By cderosby, January 22, 2010 @ 1:33 pm
We just signed up for Netflix again and have the PS3 disk to order them direct to the TV. I’ll check for it.
We finished Inglorious Basterds last night. I think the praise for it was too much so. I was fine with the liberties he took with history. I was more confused by the sudden change in the style of the movie in the last 30 minutes or so. It went from a pretty good period piece to a … Tarantino flick. Suddenly 70’s jive and 80’s Bowie music was just thrown in. I know that’s his style, but it made no sense, wasn’t consistent with the rest of the movie, and stuck out as him just putting it in there because that’s what he does. Plus, the villainous Jew Hunter character changed, went from a complex and very intimidating persona, his tool for building tension in the first 2/3 of the movie, to a comical, shallow, not very believable one at the end. The part about him mixing metaphors and looking stupid in front of Pitt’s character just didn’t fit. Tarantino needs to either pack it in or get his head out of his ass.